2017
09.10

“Jetty” – photo-art – copyright Dennis Mealor 2017

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2017
09.10

“Gallow’s Pole” (reprise) – oils on particle board – age 18 – copyright Dennis Mealor

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One of the paintings I did during my melancholy youth (1970).

2017
09.06

“Jazz Band & Choir” – acrylics & mixed media on canvas – copyright Dennis Mealor 2017

 

 

 

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2017
09.04

“River of Calm” (Nature Buddha) – acrylics & mixed media on canvas – copyright Dennis Mealor 2017

 

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2017
09.04

“MEALS’ SPIEL” copyright Dennis Mealor 2017

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2017
09.04

Life Drawing (reprise) – model, Greta – copyright Dennis Mealor

I am having a break from the life drawing group near Buderim. But I am missing it already. Here’s one I prepared earlier. The model was Greta.

 

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2017
09.03

The Bawdy is Alive and Well at the Gold Coast – photo copyright Dennis Mealor 2017

 

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I studied “The Bawdy” as part of my PhD many years ago. The Bawdy goes back a long time through the millennia, to the likes of erotic mosaics in ancient Roman buildings; and beyond. My PhD focus was on Francois Rabelais’ bawdy 16th Century rantings in his classic  “Gargantua and Pantagruel.” See also Mikhail Bakhtin’s critique “Rabelais and His World,” if you wish to research it, and delve deeper. It is a big topic, and to me, an important one. The Bawdy’s echoes permeated the Victorian era, with both working class and upper crust punters taking weekend visits to the seaside piers to enjoy the crude and rude innuendos of blue comedians and naughty postcards.

The Bawdy later reared its head in the groan-worthy British Carry On movies of the 1960s, and the TV shows of Benny Hill. Influenced by English comedy via his Liverpudlian dad, Mike Myers also carried on the tradition in some of his Austin Powers movies, and injected some wholesome British smut into the American psyche. The list goes on. 

 In Rabelais’ time (16th Century), The Bawdy (along with the “Carnivale” – see Bakhtin’s tome, mentioned above) was a safety valve for the sanity of puritanical, Church-controlled societies. 

Here it is again. A footpath in the Gold Coast suburb of Labrador (Queensland, Australia). The Bawdy is alive and well, and etched in concrete. Made my day. You just can’t keep it down.